Have you ever looked at a pile of discarded paper and wondered if it holds a secret?
For years, I've used a simple cross-cut paper shredder. At first, it was just utility: creating secure packing material or simplifying recycling.
I am honored to have my work included in 440 Gallery’s 2026 National Competition Juried Group Show. The theme show, Harmony & Chaos, was juried by Brooklyn-based independent curator Hayley Ferber.
I have been fortunate to work with Kathy Caraccio since 2017. Kathy Caraccio is a master printer, artist, curator, professor, and collector…
Two decades, dozens of plates, countless hours in the studio. This recent show brought together 20+ years of printmaking—from early experiments to pieces where I felt fluent in my own visual vocabulary.
Sharing a look behind the scenes as I prepared for my solo exhibition at St. Joseph’s University, showcasing 24 pieces spanning from 2004 to 2024.
So delighted to receive the 2024 Second Place Award by Grey Cube Gallery acknowledging two of my works on paper in their international “Green” online contest.
In the late 1980s and 1990s, El Anatsui—the renowned Ghanaian-Nigerian artist—produced a powerful series of wall-based works using carved, scorched, and assembled wooden planks.
This print was made from a single woodblock. My aim is to explore the tension and dialogue between organic flow and rigid structure.
While working on a new piece, I stumbled upon something unexpected—coloring Japanese Moriki paper with watercolor pencils produced a beautifully layered and textured surface.
I am thrilled to announce that my artwork has been selected for Forms and Fragments, Atlantic Gallery’s (a wonderful artist-run non-profit space) inaugural online exhibition!