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CAROL MORRISON

FINE ART PRINTMAKER
  • ARTWORK
  • EARLIER WORKS
  • ABOUT
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  • NEWS
  • RESOURCES
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  • CONTACT

THRILLED TO HAVE MY WOODCUT IN THE PERMANENT COLLECTION OF MASTER PRINTER KATHY CARACCIO

December 14, 2020

Thrilled to announce that this woodcut is now in the permanent collection of Master Printer Kathy Caraccio, with whom I have been studying for several years.

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← BEHIND THE SCENES: THE ONE DELIGHTINGWhite-on-White Embossed Edition →

Latest Posts

Featured
SELECTED FOR FORMS AND FRAGMENTS AT ATLANTIC GALLERY
October 1, 2026
SELECTED FOR FORMS AND FRAGMENTS AT ATLANTIC GALLERY
October 1, 2026

I am thrilled to announce that my artwork has been selected for Forms and Fragments, Atlantic Gallery’s (a wonderful artist-run non-profit space) inaugural online exhibition!

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October 1, 2026
EXHIBITION: 440 GALLERY GROUP SHOW
June 23, 2026
EXHIBITION: 440 GALLERY GROUP SHOW
June 23, 2026

I am honored to have my work included in 440 Gallery’s 2026 National Competition Juried Group Show. The theme show, Harmony & Chaos, was juried by Brooklyn-based independent curator Hayley Ferber.

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June 23, 2026
SOLO SHOW AT ST. JOSEPH’S UNIVERSITY CURATED BY KATHY CARACCIO
May 18, 2026
SOLO SHOW AT ST. JOSEPH’S UNIVERSITY CURATED BY KATHY CARACCIO
May 18, 2026

I have been fortunate to work with Kathy Caraccio since 2017. Kathy Caraccio is a master printer, artist, curator, professor, and collector…

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May 18, 2026
20 YEARS OF MARK-MAKING AND MEANING
April 10, 2026
20 YEARS OF MARK-MAKING AND MEANING
April 10, 2026

Two decades, dozens of plates, countless hours in the studio. This recent show brought together 20+ years of printmaking—from early experiments to pieces where I  felt fluent in my own visual vocabulary.

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April 10, 2026
BEHIND THE SCENES: PREPARING FOR MY SOLO SHOW AT ST. JOSEPH'S UNIVERSITY
April 9, 2026
BEHIND THE SCENES: PREPARING FOR MY SOLO SHOW AT ST. JOSEPH'S UNIVERSITY
April 9, 2026

Sharing a look behind the scenes as I prepared for my solo exhibition at St. Joseph’s University, showcasing 24 pieces spanning from 2004 to 2024.

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April 9, 2026
MY WORK SELECTED FOR INCLUSION IN THE GREY CUBE GALLERY 2024 INTERNATIONAL ONLINE ART SHOW
April 2, 2026
MY WORK SELECTED FOR INCLUSION IN THE GREY CUBE GALLERY 2024 INTERNATIONAL ONLINE ART SHOW
April 2, 2026

So delighted to receive the 2024 Second Place Award by Grey Cube Gallery acknowledging two of my works on paper in their international “Green” online contest.

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April 2, 2026
INSPIRED BY THE WORK OF EL ANATSUI
July 17, 2025
INSPIRED BY THE WORK OF EL ANATSUI
July 17, 2025

In the late 1980s and 1990s, El Anatsui—the renowned Ghanaian-Nigerian artist—produced a powerful series of wall-based works using carved, scorched, and assembled wooden planks.

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July 17, 2025
URBAN LINES, NATURAL CURRENTS: CARVING A DIALOGUE IN WOOD
July 14, 2025
URBAN LINES, NATURAL CURRENTS: CARVING A DIALOGUE IN WOOD
July 14, 2025

This print was made from  a single woodblock. My aim is to explore the tension and dialogue between organic flow and rigid structure.

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July 14, 2025
EXPERIMENTING WITH WATERCOLOR PENCILS ON EMBOSSED MORIKI PAPER
July 7, 2025
EXPERIMENTING WITH WATERCOLOR PENCILS ON EMBOSSED MORIKI PAPER
July 7, 2025

While working on a new piece, I stumbled upon something unexpected—coloring Japanese Moriki paper with watercolor pencils produced a beautifully layered and textured surface.

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July 7, 2025
CHINE-COLLÉ, MORIKI PAPER & WATERCOLOR PENCILS: A PRINTMAKING EXPLORATION
June 11, 2025
CHINE-COLLÉ, MORIKI PAPER & WATERCOLOR PENCILS: A PRINTMAKING EXPLORATION
June 11, 2025

Most recently I returned to using Chine-collé (aka) chine collé.which is a technique that combines the aesthetics of both collage and printmaking. Chine-collé roughly translated from French means, Chine = thin tissue and collé = glue or paste.

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June 11, 2025