THRILLED TO HAVE MY WOODCUT IN THE PERMANENT COLLECTION OF MASTER PRINTER KATHY CARACCIO

December 14, 2020

Thrilled to announce that this woodcut is now in the permanent collection of Master Printer Kathy Caraccio, with whom I have been studying for several years.

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Jul 17, 2025

INSPIRED BY THE WORK OF EL ANATSUI

Jul 17, 2025

In the late 1980s and 1990s, El Anatsui—the renowned Ghanaian-Nigerian artist—produced a powerful series of wall-based works using carved, scorched, and assembled wooden planks.

Jul 17, 2025

Jul 14, 2025

URBAN LINES, NATURAL CURRENTS: CARVING A DIALOGUE IN WOOD

Jul 14, 2025

This print was made from a single woodblock. My aim is to explore the tension and dialogue between organic flow and rigid structure.

Jul 14, 2025

Jul 7, 2025

EXPERIMENTING WITH WATERCOLOR PENCILS ON EMBOSSED MORIKI PAPER

Jul 7, 2025

While working on a new piece, I stumbled upon something unexpected—coloring Japanese Moriki paper with watercolor pencils produced a beautifully layered and textured surface.

Jul 7, 2025

Jun 11, 2025

CHINE-COLLÉ, MORIKI PAPER & WATERCOLOR PENCILS: A PRINTMAKING EXPERIMENT

Jun 11, 2025

Most recently I returned to using Chine-collé (aka) chine collé.which is a technique that combines the aesthetics of both collage and printmaking. Chine-collé roughly translated from French means, Chine = thin tissue and collé = glue or paste.

Jun 11, 2025

May 6, 2024

MY WORK SELECTED FOR INCLUSION IN THE GREY CUBE GALLERY 2024 INTERNATIONAL ONLINE ART SHOW

May 6, 2024

So delighted to receive the 2024 Second Place Award by Grey Cube Gallery acknowledging two of my works on paper in their international “Green” online contest.

May 6, 2024

Apr 11, 2024

A CONVERSATION WITH MASTER PRINTMAKER KATHY CARACCIO AND ARTIST CAROL MORRISON

Apr 11, 2024

I have been fortunate to work with Kathy Caraccio since 2017. Kathy Caraccio is a master printer, artist, curator, professor, and collector…

Apr 11, 2024

Apr 10, 2024

20 YEARS OF MARK-MAKING AND MEANING

Apr 10, 2024

Two decades, dozens of plates, countless hours in the studio. This recent show brought together 20+ years of printmaking—from early experiments to pieces where I felt fluent in my own visual vocabulary.

Apr 10, 2024

BEHIND THE SCENES: PREPARING FOR MY SOLO SHOW AT ST. JOSEPH'S UNIVERSITY

Apr 10, 2024

Sharing a look behind the scenes as I prepared for my solo exhibition at St. Joseph’s University, showcasing 24 pieces spanning from 2004 to 2024.

Apr 10, 2024

WORKING WITH THE MASTER PRINTER SHEILA MARBAIN (1927-2008) AT MAUREL STUDIOS

Apr 10, 2024

These three pieces are some of my work with the late Sheila Marbain at Maurel Studio…

Apr 10, 2024

Apr 9, 2024

THE QUESTION I AM ASKED MOST FREQUENTLY IS “HOW DID YOU DO THAT?”

Apr 9, 2024

The photograph (see A), is of the final print, a woodcut entitled: Going Beyond. I am asked, pretty often, “How did you do that”—meaning how did I get four colors on the print with one run through the press. So there is a method to this madness…

Apr 9, 2024